The white notes in between will just get filled in automatically by Sampler after the fact (more details on how that tech works right here). The notes highlighted in blue in the keyboard section represent those that will actually be sampled. The Sample Every field and slider adjusts the interval between sampled notes. Here are a few particularly important parameters to keep an eye on: With these parameters, you’re essentially making adjustments to the fidelity of the sampler instrument and the way with which the audio is handled during the creation process, including the number of velocity layers, sample length, looping options, and more. The main controls panel below that is where we adjust the way our sampler instrument is about to be created. The keyboard section along the top is where we can set the Sample Note Range, or note pitch range, by dragging the edges of the highlighted area (Also available via the Range Start and End parameters in the main controls panel below). For the rest of us, let’s take a quick look at what we have here and some of the more important elements of the UI to be aware of: Some familiar options are front and center here including the ability to adjust the number of velocity layers to be sampled, looping conditions, the note pitch range, which notes to sample within that range, and even an interesting “ Round Robin” function for capturing tonal variations (in sound sound sources that support it).
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Software sample veterans will feel right at home with the main controls panel, graphic display, and other sampling parameters.
The Auto Sampler plug-in interface is a simple one that gives us the ability to customize our new sampler instruments before creating them.
Plug-ins placed below or after the Auto Sampler plug-in are just functioning as usual and will not be a part of the sound of your new sampler instrument. It is important to note here, the plug-ins placed above or before the Auto Sampler plug-in the FX signal chain will be included in the sampler instrument you’re about to make. Not only can you sample whatever software or hardware instrument you have loaded, you can also choose to use any of your usual arsenal of FX plug-ins. Here’s our rundown on connecting your external hardware MIDI synths and other gear to Logic if you need a refresher.
You’ll find it in the Utility submenu via the Audio FX slot on a software or external instrument channel strip. The powerful sampling tool is accessed just like any other FX plug-in. Hit the sample button, and Auto Sampler will create an instrument you can use inside of Logic Pro’s new Sampler and any of your LPX sessions. Then place the Auto Sampler plug-in on that channel strip (with or without FX) and make some adjustments to customize the soon-to-be sampler instrument. It basically works like this: Load up the software instrument or an external synth (MIDI and audio) you want to sample as usual. No recording or making files of each note to then drop into Sampler required.
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Auto Sampler can essentially analyze software instruments and hardware gear, plus all of the FX plug-ins you might be using on that channel strip, to create new sampler instruments. Sampler and Quick Sampler are Logic Pro’s new sample-based software instruments, and Auto Sampler is a brilliant new tool to actually author instruments for them.Īs simple as it is to create instruments directly with Sampler and Quick Sampler, you need to have the actual audio to do it with. Logic Pro X 10.5 - Auto Sampler:Īuto Sampler can create complex sampler instruments from hardware synths and software instruments of any kind, or a combination of sound sources/synthesizers, including all of your FX plug-ins. Now available to all users, the plug-in can automate the sample creation process like Logic Pro X has never seen before. While those two might be running the audio recycling operation here, the powerful new Logic Pro X tool known as Auto Sampler is not to be overlooked. Apple has completely overhauled Logic Pro X’s sampling technology with the new Sampler and Quick Sampler.